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Wednesday, 27 July 2016

World of Death - The Hum (Steven Payne)

It is with great pleasure that I announce that 5D has arranged with Tony Wash, Film producer and general all round good egg, to work with and promote some of the community of filmmakers that form part of his brainchild, World of Death, an international compilation of horror short films produced by Scotchworthy Productions and JP3 Media.

World of Death brings together the talent of over 200 filmmakers from 25 different countries in a compilation of short horror films that will terrorise, astonish, disturb, and excite genre fans across the globe.

World of Death isn't just a compilation; it's a community. Consisting of over 200 filmmakers plus their casts and crew, World of Death includes independent talent of every age and level of experience… From all over the globe!

The filmmaker featured this week is Steven Payne who will be talking about another of his works of which he is particularly proud and at the same time hopefully providing the answer to life, the universe and everything. 

Q) So before we talk about The Hum, give me and my reader a little information about yourself.

A) My first short cost $60 and was shot on an old Canon tape camera. I bought a pack of tapes and 3 lights and shot it in one evening. Technical limitations can hurt a film, but if there’s talent in front of and behind the camera, these limitations can be lessened. One of the greatest benefits to living and shooting in Chicago, beyond the amazing locations, is our theatre scene. I’ve pulled most of my actors from Chicago stages, which shows in the strong and nuanced performances I’ve been able to coax from my actors.

Visually I try and make my films distinctive. Every shot is carefully plotted beforehand. This is not freewheeling film making. The visuals carry the story through to a strong and decisive conclusion.

Q) So how has this paid off for you?

A) I did a couple more short films using my tape camera, the third one of which, ‘The Hawthorne Effect’, came in first at an online film fest and provided me enough of a cash prize to upgrade in camera choices. With my work, I try and make short films, that is to say I don’t just do horror with thinly drawn characters. I work as hard on creating interesting, 3-dimensional characters as I do in creating novel horror situations. I plot my stories as if I were doing a feature, with the key elements scaled back to fit the reduced time frame.

Q) Let's talk about The Hum. Tell us a little about the background to the film.

A) ‘The Hum’ is the prime example of the type of horror film I make, one that I’m very proud of. It most recently was honoured with a ‘Best Concept’ from the Independent Horror Movie Awards. The characters in this story are involved in a self-destructive triangle. And the horror element, the ‘hum’, ties in with the uncertainties and distrust between the two main characters.

Q) So what is the synopsis?

A) Robin struggles with a double life, attracted to the strong state Senator whose campaign office she manages, and her love for her gentler, husband, a failed writer who struggles to find employment.  In his downtime her husband has become obsessed with a humming he hears, which he discovers is part of an international phenomenon.  So enthralled is he with 'The Hum' that he actually cracks the mystery behind it.  But nothing comes without a price as the answer opens up a world of greater horror for himself, his wife, and the world.

Here’s a link to the trailer:

Q) So what are you working on now?

A ) What I’m working on now is taking about 6 of my shorts, including ‘The Hum’, and shooting a wraparound to package them in a feature-length format to air on Amazon under the title ‘Anthology’. I should have this completed no later than September (if not earlier). I’m hoping to drive business to Amazon from my YouTube page where I currently have over 17,000 subscribers, with one of my projects having 3 million views.

So there you are, a little bit about Mr Payne and his plans for eventual world domination. But what about the point of this article (yes, occasionally my posts do have a point......'cough'.. occasionally). Well, after watching the trailer for The Hum I was sufficiently hooked like the proverbial fish and decided that I now really wanted to watch the full version. Blimey, it's almost as if a trailer is intended to do just that - hmmm, I may have stumbled onto a goldmine here...... or not.

Anyhow, I decided to ask Steven if he would be good enough to send me an online screener, which,  being the wonderful human being I now know him to be, he duly did. I also asked him if I would be able to share the screener for you good people to watch. He replied as follows; "Just the trailer, please. The screener is just for festivals and they prefer that the film not be previously made public. Thank you so much, I look forward to reading your review."

Now, to the untrained eye of the layman reader (that's you by the way) Steven's response looks perfectly pleasant and reasonable. The thing is, I know better, oh yes I do indeed. Because to my keen eye it looks very different, for you see beneath the affable surface there actually reads a more sinister subtext. The true meaning of what Steven said being; " Just the trailer, matey boy. It's my screener, mine I tell you!!!! It belongs now to the festivals so keep your filthy blogging hands off it!!! I live in Chicago and we know what to do with the likes of you!! If I see any sign of it in your review there'll be some sleeping with fishes for you matey boy!!!"

Now putting aside the possibility that my raging paranoia may once again be returning I decided to accept Stevens's threat of bodily harm, I mean, polite request.  

It is safe to say that I enjoyed immensely the fuller version of The Hum that I saw on the super secret online screener.The cast performances, often a weaker component of low budget independent films, are measured and confident, particularly Sarah Kopp as Robin who shows a good range of emotion as she portrays a woman tormented by the life choices that she has made together with the guilt that accompanies them. It's refreshing to see an attempt by a filmmaker to provide some passion and texture to the lead characters instead of relying on cliched one-dimensional horror caricatures.

The premise of The Hum, a very common 'real world' phenomenon , being linked to an altogether horrific source, and the way that it manuplates the relationship between the three central characters is  very satisfying - as is the ending, I for one loved it.

I'm genuinely looking forward to seeing what Steven comes up with next, in particular his feature-length anthology. I would strongly advise you to check him and his work out as soon as you get the chance.

You can find out more about Steven Payne and his work at the following links;

This article can also be found via the 5D website There you can find a veritable feast of blog articles, news items, pictures and other mouth-watering salutations to the gods of the geeks and the nerds. We have now inherited the earth, you know.

In addition, should any of you fine people out there wish to advertise on the 5D website then have a look at the offer below.

Tuesday, 26 July 2016

The Forest of the Lost Souls (A Floresta das Almas Perdidas) - 2016


The bulk of this review article, namely the inane chatter from myself and the illuminating interview, was first published in a nostalgically warm month (Its now a perishing cold December) way back in July 2016. It was something of an unusual promotion article, namely that due to a request from the filmmaker I wasn't actually able to do much in terms of a review when talking about the film. This was due in the main for a need to hold off on reviews until the film was to be entered into the various festivals on 2017. Well it was certainly something of a tricky task - but I had a go.

Well six months had elapsed until I received an email just a couple of days ago from director, Jose Pedro Lopes who advised me that The Forest of The Lost Souls was  debuting at the Fantasporto Film Festival in February. In other words, it was time to put some review type comments down in print!

So in the time-honoured tradition of my wanting to save myself some work (or any if the chance permits) I'm re-publishing much (ok, all) of the original July article with the newly added review section at the end.

I'm in an unusual position this week of having been lucky enough to get an early look at a yet to be released film, thoroughly enjoy the said film, and yet not be able to divulge a word about it. Yet that is indeed the very situation that I find myself in. It's all the fault of JOSÉ PEDRO LOPES, who is the creative force behind a quite remarkable film, The Forest of the Lost Souls

José wrote to me earlier in the week via the contact section of the newly revamped 5D website at (go on, check it out! - there's a free hug in it if you do). He told me that he's a filmmaker from Oporto, Portugal and currently starting the festival run for his first feature film, a coming of age slasher movie. In the message he asked me whether I would like to look at the trailer for his yet to be released film. Well indeed I would and indeed I did. After all, he had me at 'coming of age slasher'.

It would be safe to say that I was a little bit on the impressed side when I sat down and watched the trailer with its one minute thirteen seconds of black and white visual splendour and evocative soundtrack. If you don't believe me then you can see for yourself right here at

In fact, so intrigued was I that I asked José if he would let me see the complete full length version of the film so that I could put a more complete article together (there's a first time for everything, I hear you say!). José told me that he'd be happy to send me a super-secret online screener, however he had one teeny weeny minor condition, namely that I wasn't to divulge to anyone just yet any major review details about the film. The reason being that The Forest of the Lost Souls has yet to begin its festival entry run and so understandably wanted to wait for reviews so as to accompany the films release.

Oh, OK I thought, this could be something of a challenge methinks, having never actually done a review article without actually writing a, er, a review. At first I considered putting in a few clever and cunning hints about the film in this write up. However I soon realised the problem with that plan was my complete lack of skills in the clever and cunning department. My second plan was to record a video review of the film in the form of improvised interpretive dance, that was until I remembered that I have the dancing skills of an Emperor Penguin on Valium.

So after much consideration I agreed to José's request not to divulge any details of his movie, I say 'request' because there was a definite undertone of him 'making me an offer that I couldn't refuse' if I disagreed. Thankfully I managed the conundrum of talking about the film without talking about the film, by skilfully weaning some information by some clever investigative questioning techniques with the man himself.

First of all, let me provide you with a synopsis

"The Forest of the Lost Souls is a dense and remote forest, Portugal's most popular place for suicide. In a summer morning, two strangers meet
within the woods.

Ricardo (Jorge Mota) is a sad old man, who gave up on life when his older daughter, Irene (Lilia Lopes), took her life in a romantic pact gone wrong in the glacier lake that rests hidden deep in the forest.

Carolina (Daniela Love) is an eccentric, unstable young girl who finds all things related to death are fun.

As bumping into each other puts them off killing themselves , they decide to go for a walk to discover 'The Forest of the Lost Souls' and see what they will find. As they walk deeper into the woods, they get to know each other and become friends: but one of them is not being honest, one of them is a dark and horrible person."

As I mentioned earlier, José also kindly agreed to answer a few of my piercing questions. Let me first give you a little information of the man in question.

JOSÉ PEDRO LOPES was born in Oporto (Portugal) in 1982. He studied Management at the Oporto Catholic University (Portugal) and film at Madrid’s Escuela de Cine Septima Ars (Spain).

José founded the production company Anexo 82 in 2011 with Ana Almeida with whom he has produced several shorts films in the fantasy genre such as «A Noiva» (2007, The Bride), «Survivalismo» (2011, Survivalismo) and the direct-to-web effort «M is for Macho» (2013)Their most recent work, the 90s-set coming of age drama «Videoclube» (2014, Video Store) proved to be a festival success and became part of the Mailuki Films catalogue.

In 2016, he directed his first feature film, the coming of age slasher film «A Floresta das Almas Perdidas» (The Forest of the Lost Souls). He was line producer for the Portuguese shot of the Austrian documentar «Brother Jakob Are You Sleeping?» by Stefan Bohun, produced by Mishief Films.

Besides producing films, José is also a journalist (most notably for Portugal's leading indie film website, a festival programmer (for FEST - New Films/New Directors and on occasion Shortcutz Porto) and an enthusiast.

He has created promotional and documentary films for entities such as the Porto Town Hall, the European Comission, the Museum of Transports of Oporto and Braga European Youth Capital.

Q) So, José, what are your cinematic inspirations?

I've been doing films ever since I was 12, and I've started producing short films back in 2007 with «A Noiva» (The Bride) by Ana Almeida. Growing up in Oporto I was very much in love with Asian extreme cinema due to Fantasporto, a very big fantasy festival that takes place here every year. Also I've always been a die-hard fan of John Carpenter. His take on storytelling, both as a visual, narrative and musical form, is a big influence on me and it shows in «The Forest of Lost Souls».

But in this film, I drew more inspiration actually from Japanese cinema, specially Keiichi Kobayashi's «About the Pink Sky» and Sabu's «Miss Zombie». Both are very moody stories shot in black and white that shift genres and the way we see stories. «The Forest of Lost Souls» crosses slasher films with a coming of age drama, and a bit of generational comedy.

Q) What made you make a film about a coming of age slasher?

I'm a big fan of coming of age stories, from John Hughes movies to books/films such as «The Perks o Being a Wallflower» and «Me, Earl and the Dying Girl». But sometimes they can be kind of lame. Often they have too much "be who you want to be", "go be an artist" kind of message - they become positivist to a point they are unnerving. People in this movies talk about books, movies, song and their dreams over and over.

So I wanted to take this kind of inspirational, nice film, and invert it. The two people who meet in this film don't talk about their dreams, but how much they just want to die and get over life. And even if for a while the movie walks the inspirational coming of age storyline, it eventually twists all that into a much darker, sad place.

This story was obviously inspired by Japan's Aokigahara forest. There are places like that here too - and in a way Portuguese and Japanese take on death are very similar. We're the country of fado music, the most beautiful yet melancholic music genre you can find.

Q) Why shoot it in black & white?

There were several reasons why we shot in the B&W. Actually when I, my producer and my cinematographer talked about filming, everybody was assuming it was B&W as we've always though of this story like that. Black&White brings out a lot of the textures and contrasts in images. This makes the forest a more isolated place, and more crowded with trees and rocks. The characters become more isolated from the background.

Also as this story is set in the summer, which is very hot here in Portugal, black&white allowed to make the far away background always overexposed and very white. The characters are a lot of the time in the dark - while the world behind is almost white.

Also as this is a very emotional, sad family drama in its core, black&white very brought out the work of the actors and their expressions. The movie talks a lot about suicide, loss and grief. I felt that B&W would keep the emotions on the characters and their feelings very outlined and exposed. So it was both a technical and a storytelling decision to make it B&W

Yet, at the Berlin Film Festival this year a distributor told me: "You made a black&white crossover Portuguese film? Could you have me it more difficult to sell?".

Q) When and where are you releasing it on the circuit?

I've just now started to send it to festivals, hopefully to premiere it before the end of the year. I guess 2017 will be mostly festivals, but I'm looking into commercial circuits where this kind of movie could get release. I'm still figuring it out.
Q) What are your future plans?

I've a production company based in Oporto, Portugal called Anexo 82. We've been making movies since 2012, and this is our first feature. We're already working on several other projects, our and from others, but we do hope we can make more feature length fiction in the future. Maybe a happy film next time

I would like to thank José for kindly giving me some of his time. I know that I'm not allowed to divulge any review details of The Forest of the Lost Souls. All I will say at this point is that I loved it. Hopefully José won't be sending the boys round with a horses head for my bed with that revelation.........
You can find out more about José and his film at the following links:

The Forest of the Lost Souls website -

His production company, Anexo 82 can be found at

The film's Facebook page can be found at


The Forest of the lost Souls is a beautifully atmospheric and emotionally charged piece of cinema, enhanced in no small part by the performances of it's main cast, the incredible black & white cinematography and evocative soundtrack. 

 For a start the film looks quite wonderful, shot in the Caramulo mountains in the centre of Portugal and in Spains Sanabria lake region the viewer is rewarded with vistas and landscapes of breathtaking quality. The visual feel is further amplified by the inspired decision to make the movie in black and white. Jose said in his interview that his intention was to exemplify many of the textures and contrasts in the film's images. He wanted to make the forest a seem an even more isolated place, apart from the abundance of tree and rocks, serving to make the characters become more isolated from the background. Shooting the film in black and white he was sure would do this.

It's safe to say that he has succeeded completely, black and white photography when used correctly can add technical and narrative dimensions to the feel of a film that colour simply cannot do. The skillful way in which the film begins with bright well-lit scenes and then mirrors the progressive darker narrative as it advances to a similarly darker visual look is excellent. This is not to say that the film wouldn't have worked as a colour production, because I'm sure it would, however the black and white effect adds a technical and emotional depth of real quality.

Yes, this is a story of an ageing man who meets a young girl in the forest, both of whom have gone there with the intention of committing suicide - so it's pretty safe to say that this is a story of tortured emotional isolation and desolation. In other other words, there isn't much here for the Pop idol or Glee generation of superficial sugary happiness. Though that doesn't mean to say that that are no moments of humour on show in this film, because there are - black and biting perhaps, but humour nonetheless as the bond between the two unearths two pasts full of similar emotional contradictions.

For those who like their horror without intelligence but prefer unadulterated blood-soaked gore upon gore (and yes there is a time and place for that sort of horror experience) then The Forest of the Lost Souls may not be for you. 

There is indeed a degree of murderous violence (this a slasher film after all), however this arrives after some wonderful exchanges of dialogue and story telling between the main protagonists. There is a genuine depth of emotion on show here with sadness, remorse, anger and an overall lack of hope filtering from the actions and conversations between the characters. 

At times it's intense stuff.This serves to explore some fascinating philosophical themes about love, loss and the desire to end the struggle of life. 

Now don't get me wrong, whilst there are the inevitable references to the likes of Nietzsche et al, the film doesn't overly prevaricate on such themes - unlike some movies of this nature which seem more intent on contemplating their own navel instead on concentrating on important matters....such as being a good horror story. 
No, because before one realises what has happened the increasingly dark twists and turns swiftly transport you into a world of violence and pain - very nice!

As I mentioned earlier, the acting on show is of the highest quality, with newcomer Daniela Love as the deliciously unstable Carolina showing a depth of performance that belies her lack of experience.

A special mention too must also go to the fabulous soundtrack in this film. Even if Jose hadn't said in his interview that the likes of John Carpenter, whose enduring genius has been to incorporate music as a visual and narrative enhancement, has been an influence on his work well it would have been obvious here. 

The soundtrack for The Forest of the Lost Souls is quite simply stunning, with the noticeable inclusions of songs by the likes of Cyberbully Mom club who's 'March 1st' features in the final act of the film and also the catchy summer song «Beach Bummer» by No Vacation  which is featured in a particular important moment.

Hann Cassady
Perhaps the standout musical element though comes from Hann Cassady, whose song 'Smoke Break' features in the film's trailer RIGHT HERE. Hann is a singer/songwriter recently relocated to the east coast from her hometown of Chicago, Illinois. She has released three EPs: 'Okay', 'American Spirit' and 'Love Bites'. She is currently working on her first LP.

It's a perfect soundtrack for a coming of age slasher film!

So if you like your slasher films to be thoughtful, intelligent, dark, twisted and violent - then The Forest of the Lost Souls is just the remedy for the standard coming of age films that we normally have to endure!

The Forest of the Lost Souls (A Floresta das Almas Perdidas) is debuting at the Fantasporto - Oporto International Film Festival in February 2017.

This article can also be found via the 5D website There you can find a veritable feast of blog articles, news items, pictures and and other mouth-watering salutations to the gods of the geeks and the nerds. We have now inherited the earth, you know.

There is also a newly launched forum on the website designed for ANYONE involved or interested in the Independent film industry related to genres of Sci-Fi, fantasy and horror. Feel free to register and contribute - Everyone is welcome!

In addition, should any of you fine people out there wish to advertise on the 5D website then have a look at the offer below.

Monday, 25 July 2016


5D is proud to let you know about the new forum on the 5D website. The forum is designed for ANYONE involved or interested in the Independent film industry within the genres of Sci-Fi, fantasy and horror. Here you’ll be able to interact with other like-minded individuals to ask for help/information as well as share questions, advice, promotion & ideas.

The hope is that in time it will form a hub for anyone working in, hoping to work in, or just plain interested in, these exciting areas of independent and low-budget film production.

I would be honoured if anybody reading this would be interested in registering on the forum and possibly contributing in any way that would interest or indeed benefit you and your work.

You can access the forum either via the ‘Forum’ section on the 5D website or by going directly to the forum at

Wednesday, 20 July 2016

World of Death - Misunderstanding (Alex Wiggins)

It is with great pleasure that I announce that 5D has arranged with Tony Wash, Film producer and general all round good egg, to work with and promote some of the community of filmmakers that form part of his brainchild, World of Death, an international compilation of horror short films produced by Scotchworthy Productions and JP3 Media.

World of Death brings together the talent of over 200 filmmakers from 25 different countries in a compilation of short horror films that will terrorise, astonish, disturb, and excite genre fans across the globe.

World of Death isn't just a compilation; it's a community. Consisting of over 200 filmmakers plus their casts and crew, World of Death includes independent talent of every age and level of experience… From all over the globe!

So in my tried and trusted method of hanging onto to the creative coat-tails of those far more talented than myself 5D will be including regular articles featuring some of the examples of the short horror films that have been produced by this incredible community. Some of the articles will be written by myself (sorry about that) and some will take the form of guest blogs by the filmmakers themselves. If I'm honest, the notion of a guest blog fills me with more than a smidgen of trepidation - not because I don't think that they will be very good, on the contrary they will probably be the opposite. However I feel comforted in the knowledge that when the odd (inevitably) better blog post than my own comes along then I can easily 'accidentally' delete it before publishing it. No one will ever know.

It was after begging like a brat asking Tony Wash whether he would be kind enough to share the details of the newly revamped 5D website that he suggested that it might be a good idea to pass me on to the World of Death community and see what interest came of it. Well interest there was, with a veritable plethora of filmmakers who ignored the views of popular opinion about me and still decided to contact my website with the prospect of putting some love out there for their work. 

The gruesome twosome, Smiles and Tragedy
The first of the filmmakers to feature in the series is Alex Wiggins with his film Misunderstanding. The rumour that Alex was the first to be chosen by myself simply because he said that he had checked out the 5D site and in his words " I really dig a lot of the articles and writings you have!", cannot be confirmed by my legal department without me apparently perjuring myself. Is my ego that easily manipulated? Well frankly I couldn't possibly comment.

In all honesty it was by pure chance that his was the first to be chosen from the wealth of material on World of Death - however, saying nice things about me and inflating my already insatiable need for love and adoration is never a bad thing.

Alex Wiggins tells me that he is a senior at the Savannah College of Art and Design (SCAD) in Savannah, Georgia...... hmm, I think I dislike him already being younger and more talented than me, he's probably better looking too - Nope, I'm not happy. However he quickly redeemed himself by explaining that he like me, is a total 70's and 80's horror enthusiast, which is inevitably a good thing in his favour, though I have yet to get conformation from him whether he acknowledges that The Texas Chainsaw Massacre (1974) is the greatest ever horror film made in the history on cinema. I cannot deny the rumour that disagreeing with me on this matter means an immediate unfollowing on social networking, because it makes perfect sense.

Alex's contribution for World of Death is a short film that he wrote, produced, and did the special-effects make-up work for (see I told you he was annoyingly talented). The short film was titled "M is for Misunderstanding", as it was originally a submission for the ABC's of Death 2 short competition. The film is simply called "Misunderstanding" now. This short was made during their Freshman summer before going into Sophomore year there at SCAD. Bloody hell, in my my equivalent of a Freshman year I was too busy discovering the delights of my friend, Mr Jack Daniels, than creating works of film or indeed anything at all remotely creative.

Misunderstanding is the story of a suburban couple who have their quiet suburban morning turned violently upside down as two masked thugs enter their house in search of a misaddressed and extremely important piece of mail.

The film itself is 3.14 minutes of excellently shot work that nicely manages to squeeze into the short running time a fair measure of bloody violence, as well as a laugh-out-loud moments of comedy. The special (and bloody) effects are genuinely excellent and provide a nice authentic feel of tension to the violent home invasion scenario.The acting for the most part is reasonable from the small cast, though perhaps in truth is the one weak link of the whole production. However on the whole I found the short film immensely enjoyable and a nice twist on the home invasion genre. It all serves to make me feel that Mr Wiggins and the rest of the team may have a rosy cinematic future in from of them.

If you want to see the film yourself then you can find it right here on Youtube at

In addition to feeling threatened by the talents of Alex it seems that there is another of the team that is annoyingly talented. This short was shot and directed by Dan Frantz who is officially an alumni of SCAD film as well who has his own impressive knowledge with VFX as well as DPing and directing. He recently shot a music video for Alabama Shakes that was selected as one of their official videos. It seems that the whole world out there is set upon making me feel inadequate..... I bloody love the Alabama Shakes!

The music video can be seen at

If all that wasn't enough to wet ones appetite it seems that that there are still more 'misunderstandings' to come because the follow up is currently in post production. 

The cunningly titled M is for Misunderstanding part 2 takes place immediately after the events of the first and see the gruesome twosome, Smiles and Tragedy, this time crashing into a house of college girls creating an every woman for herself game of survival. Yep, we've all been there.

Once again we are promised a mix of horror and comedy and continuing the method of using traditional special effects and make-up in the follow up featuring all female cast of comedic improv performers. I must admit that I'm rather looking forward to it.

For further information about Alex and his future work you can contact him at his Facebook page at

This article can also be found via the 5D website There you can find a veritable feast of blog articles, news items, pictures and other mouth-watering salutations to the gods of the geeks and the nerds. We have now inherited the earth, you know.

In addition, should any of you fine people out there wish to advertise on the 5D website then have a look at the offer below.