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Tuesday, 29 July 2014


It doesn't take much intuition or intelligence to realise that Terry M. West's new book HEROIN IN THE MAGIC NOW hasn't exactly been a labour of love for him, perhaps labour of pain & hell would probably be a more apt description of what it took for him to write it. But more of that in a moment.

Terry first came to my attention in August of last year when I was asked to review his new book, a collection of six stories entitled A Psycho's Medley. He was already pretty well known to most horror fans as the director of the critically-acclaimed independent horror film Blood for the Muse and Fever Dream’s Flesh for The Beast and his book was a return to the horror genre after nearly a decade. However, for A Psycho's Medley was the first real association that I'd had with his work up to that point. I say ' up to that point' because I not only immensely enjoyed his collection of short stories, but I've also made a conscious effort to keep up with his work since.  

If you have a spare few minutes then you could do worse than check out the article which can be found directly at THIS LINK HERE. Of course, the term ' you could do worse' is entirely subjective......

I will admit that I genuinely enjoyed reading A Psycho's Medley and its journeys into the mind of the psychopath together with their varying forms of insanity, each with their own origins and manifestations of evil. Essentially, it was an accumulation of stories that sat me gently down, asked me if I was comfortable and then introduced me to the very real human monsters that could well be lying there under my bed and just waiting to show me their special brand of madness.

So why, you may be asking, is this current work possibly the result of pain and hell for the author? Well it may be best to firstly relate a little of Terry M.West's background which may then shed a little light on the matter.

As I have already mentioned, Terry has made a name for himself for his much lauded horror fiction. However, before that he had spent a short period of his career on the fringe of the adult film industry. Through a series of events he found himself writing and directing soft-core sex films, a situation he freely admits wasn't a result of arm twisting, he willingly and freely ventured into this world believing that he would be able to pay some bills and bide his time to become the horror writer he believed he would be. In the meantime he would remain untainted. However, as for many before and after him, this association with the adult industry nearly ruined his reputation as a serious artist, he felt tainted and subsequently went into a deep depression that resulted in substance abuse and the disintegration of his first marriage. He slowly began to straighten himself around and left the creative world for a 10 years. He returned in 2013 and to a fair level of acclaim - and not just from myself.The personal demons were behind him.

Maniac Terry has plans for reviewers that he takes a dislike to......
Well, they may indeed be behind him, but it seems that Terry M.West has realised that like all of us, we can leave those demons behind for a while, but eventually their shadows will often raise their heads with a reminder of pains past. Now I don't profess to know Terry very well, he is now a Facebook acquaintance of mine but that won't stop me from being as honest as I can and I know that he won't hesitate to let me know If I am wrong. In essence, it seems that he has felt some sense of responsibility to tell his story - at least his version of it - and with it set some of those personal demons free forever.

As a consequence he was written quite probably the most personal and intensely honest appraisal of himself and his previous life, and placed it all within an imaginary world of magic, make-believe and horror. I will say this now, I read HEROIN IN THE MAGIC NOW in a couple of hours without stopping. I thoroughly and genuinely enjoyed it. However, I will warn prospective readers to beware, because reading this story leaves one with a distinct sense of unease and a pervading sense of something not quite right within ones soul.

So what is the synopsis of the story?..... Well take a look at the little snapshot of spoiler-free info below.

"HEROIN IN THE MAGIC NOW explores pain and hell. The story is set in a dark make-believe New York. The Night Things have climbed onto our shores from the shadows and they are now part of the system.

Gary Hack, a down on his luck porn director with an appetite for heroin, finds himself working in the dangerous world of monster fetish videos.

Gary is made an offer he can't refuse by Johnny Stücke, an immortal crime boss. The video Johnny envisions could be the greatest zombie fetish film ever created. But it could also ignite an apocalypse that could destroy the city.

HEROIN IN THE MAGIC NOW is original, startling and brutal. It will leave a mark inside."

You don't have to be some king of Psychologist to quickly realise that the main protagonist, Gary Hack, is probably barely one or two fictional touches of shade away from being a certain Terry M. West. What he has done is supplant the seedy and insane world of soft-core Hollywood and transplant into a Universe where, with echoes of True Blood, the mythical creatures of historical folklore have come out of the shadows to be part of society. Zombies, Vampires, Werewolves et al have all become part of the day to day (and night to night) existence. 

The Zombies have become the new underclass - begging and whoring themselves in order to 'survive' after being outlawed from mixing in groups of three undead, for fear of the frenzied consequences. Vampires are portrayed here as vain and insecure, Werewolves as gluttons of feeding excess. And within this universe there are those willing to take advantage of the financial, sexual and dominating opportunities that they are now afforded. After all, appetites still need to be satisfied don't they?

The story is full of dark places inhabited by dark characters - both in human and monster form. Gary maybe once was a nice guy, but now finds himself a self-loathing monster of a very human kind, partly of his own creation, fuelling himself on death -  chemically, spiritually and literally. During the story he frequently questions both his own motives and behaviour and those of others around him - yet his weakness and personal demons lead him to constantly make decisions that can only have one outcome - possibly. And yet, there are elements of Gary Hack that are likable, even appealing. There is still an undercurrent of decency, humour and humanity beneath his seedy existence.

HEROIN IN THE MAGIC NOW is an immensely enjoyable read, full of horror with a fair modicum of humour. The characters are believable, which given that they probably are formed from people from Mr West's past is no major surprise, and the dialogue is constantly punchy and laced with biting and sardonic humour. 

It is not comfortable reading, for it deals with an industry that is already full of its share of casualties and fatalities and to it adds a heady mix of monster chills into the bloody gory mix. The story's central strength is that while it is a dark and personal tale that touches on whole range of things, life choices, career choices, greed, lust (to name but a few) - it still nicely soaks these things up in gory yucky blood and places them in a Universe that I would gladly read more of.

The main criticism that I would have is the length of the story, at a little over 50 pages it simply isn't long enough - and before all of you out there shout back "Its a bloody Novella, numb nuts!", I know that.....obviously. However, short stories and novellas always leave me lacking in complete satisfaction and while that may well be a fault on my part, I can't help but feel that a very good book could have become a great book if some characters, particularly that of Johnny Stücke,  had been given the opportunity to further flesh out, if you pardon the pun. 

That, if truth be told, is just a minor quibble for what was a fabulous read. I can just about hear Terry replying "I literally sweated blood in doing this and you wanted MORE!!!??" I can only imagine what a tortuous experience this was for the author in revisiting a part of his life that all but destroyed his reputation, and nearly his own existence. West is not preaching, apologising or excusing his life or career choices, but he certainly seems to have learnt from them . Maybe Gary Hack will do the same.

HEROIN IN THE MAGIC NOW will available on August 31st from Pleasant Storm Entertainment, Inc. It will be offered for Kindle with a trade paperback to follow shortly afterwards. 

Nice Terry with his books - the power drill is under the desk......
Terry M. West is a well known author, filmmaker, actor and artist. He has written several books in the young adult field (most notably the graphic novel series, Confessions of a Teenage Vampire) and he has also written several horror short stories as well as the horror/thriller novel, Dreg. 

His work has appeared (or is scheduled to appear) in FrightNet, Scream Factory, Agony In Black, Lacunae, Jackhammer, House of Pain, Dark Muse, Moonletters, Silent Screams, When Red Snow Melts, One Hellacious Halloween, Deathmongers, Vignettes from the End of the World, Axes of Evil and Zombified 2. He was a finalist for the 1997 International Horror Guild Award for a short story (The Night Out) and he made the 1999 Bram Stoker Award preliminary ballot for a piece of long fiction (Hair and Blood Machine). 

He was also mentioned on the 1997 TV Guide Sci-Fi Hot List. West's books and collections include: A PSYCHO'S MEDLEY, WHAT PRICE GORY?, DEAD AWARE: A Horror Tale Told in Screenplay, CECIL & BUBBA MEET THE THANG and special collectors editions of CAR NEX, MIDNIGHT SNACK and CECIL & BUBBA MEET A SUCCUBUS. 

His work has received glowing reviews. His filmography includes his debut film, Blood for the Muse (based on his comic book of the same name which was a finalist for the 1998 International Horror Guild Award for a comic) and Flesh for the Beast. He has acted in the films The Blood Shed and Gallery of Fear (both directed by Alan Rowe Kelly) and had a starring role in Joseph M. Monks debut film, The Bunker. 

Terry currently writes and paints in southern California with his wife, Regina, and their son, Terrence. Terry is an active member of the Horror Writer's Association. 

Terry's official Facebook page can be found RIGHT HERE

Thursday, 24 July 2014

Apocalyptic Conservatory Studios: 2 Careful Owners & Makeover - two film shorts by Mike Tack


There are some things that I adore about life in general; Helena Bonham Carter, red wine, the music of The Libertines, cricket and the films of Terry Gilliam. In the genre of Horror, there are also a number of things that I adore; H P Lovecraft, Stephen King, Adrienne Barbeau, the films of John Carpenter and the Hammer House of Horror - not to mention an arguably unhealthy obsession with The Wicker Man (1973) and The Texas Chainsaw Massacre (1974).

The sub-genre of so-called torture horror (also known by a less flattering term as 'torture porn') has never really played a large part within my personal horror landscape of adoration. There are no high browed elitist explanations for this, It's just that movies such as Saw and it's ilk haven't historically been my horror bag, man.

So when El Presidenti Andy, of UK Horror Scene put the following message up the site's Facebook page earlier this week, my interest was peeked straight away;

"Hi All.

Anyone want to review a brand new UK horror short (15 mins) called 2 careful owners by Mike Tack . It is the follow up to last years great (wait for it) One Careful Owner. You will get a chance to see and review it before it hits the Festival Circuit . Let me know below if interested."

Now, that message to most people would read as being rather reasonable in nature. However, they would be wrong, very very wrong. Hence the reason for my peeked interest. For you see, I saw it as the veiled message, some may say threat, that it actually was. You see, Andy, I've mentioned before, runs UKHS with a fist of iron and a level of autocratic control that would make certain historical world leaders want to sit down and take copious notes on his methods of controlling his writers. For example, he regularly keeps his team of writers chained in the basement of his house and fed only through a trap door when the odd batch of raw beef from his local butcher is thrown down with the accompanying request to "write some horror reviews you scummy lot!". At least I think that it's beef.

Anyhoo, I knew for a fact that the message he wrote had an altogether different sub text and one which he knew only I would recognise. BTW, this is not a case of paranoia - the doctors have said I'm cured of that now.

The real message actually read as follows;

"Oy, Anderson matey boy.

Seeing as I let you out of the basement after that unpleasant incident after the fight over the last raw sausage with the rest of the boys, only on the proviso that you promise to write an article for me of my choosing - well the time has come for you to pay up my old mucker.
You are required to write one of your excuses for an article and try your best to review  a brand new UK horror short (15 mins) called 2 Careful owners by Mike Tack . It is the follow up to last years great (you're a bit thick, I know matey boy, but try and work it out) One Careful Owner. 

This Mike Tack chap seems to really know what he's doing, he only started writing and directed recently. He was at last years Frightfest and decided to stop saying he was going to make a short film and actually do it. Just two weeks later he had filmed his first short – The Domestic.  I know it's all a bit annoying that he's rather good at this stuff, but just suck it up and try not to let your usual feelings of inadequacy and inferiority at your own existence cloud your opinions.

So I want to you pull your finger out and firstly watch the original  which is on youtube for free - just search for miketackfilms and you will find it. I know that you think you're above this type of  sub-genre with your 'classic horror this and classic horror that preaching' - and if you think I wrote that bit in the tone of your whining six year old girly voice, you were spot on.

Believe you me, One Careful Owner was one hell of a 12 minutes , and I don’t want to go into too much detail as it fits a lot in the short run time. But expect some really good gore with brilliant FX and a brutal and ruthless conclusion. The acting is very good, the story interesting and after it was over it left me wanting more which is the sure sign of quality.

Now Anderson matey boy - the next bit of my 'request' is VERY important. I want you to review the follow up, 2 Careful Owners. It will be one of the first reviews before the film does the festival rounds in the next year, so I'm sending you a super secret youtube link so you can watch the movie and then give us your, ahem, thoughts on it. You must on no account pass on the super secret youtube link because by its very nature of being a super secret youtube link, it means it's pretty secret. Got that matey, boy? If for some reason you feel the urge to pass on the link to a 3rd party, then I'll have to tell you what - or rather who - is really in that meat I feed you and the rest of the writers. You must also on no account give away any spoilers. If you do you may end up like one-fingered Larry, whose writing pace has certainly suffered after the 9 spoilers from his last article.

Now on you go and try not to muck things up. Again."

And do you know what? The original was everything that Andy Boss-man said it was, an excellently paced and produced short film. Yes, certainly not for the squeamish, but certainly not a case of putting Gore ahead of acting quality and production. I liked it. In fact, I liked it a lot.

So it was with a little less degree of trepidation that I accessed the super secret youtube link and sat down to experience the next instalment of hammer time.

Having provided crooked car dealer Terry (Clive Ashenden) a rather painful lesson in not selling faulty cars to the likes of his now dead wife, Chris (Richard Nock) now continues his quest for bloody and gory revenge. Thanks to some brief but clever inserts of back story we learn that the death of Chris's wife has a far more complex undertone than first seems. This time he finds that he has a particularly vile villain that he needs to spend some quality time with.

The very understandable instructions I was given in regard to spoilers weren't really needed if truth be told, as I find it a particularly annoying habit of some reviewers who seem unable to resist revealing all and sundry of movie plot. Even reviewers who think they're being clever in saying such gems as "There are twists, but I won't reveal what they are" still annoy me beyond belief. Think about it, Einstein, by saying there are plots twists kind of tells me to expect, oh I don't know, plots twists! Fools.

As a consequence, I don't usually find it too difficult to ignore the lure of a spoiler, though the running time of 15 minutes for 2 Careful Owners does make it a little more problematic than usual. However, what I will say is that a for a brief running time of just a quarter of an hour, the film still manages to answer a whole plethora of questions.

Will we begin to discover the ugly truth about what lies behind the facade of Hammer motors and the conspiracy that it hides? Will we find out who is to blame for the death of Chris' wife and will they face retribution and be held accountable for their actions? Finally, will the viewers of this movie be able to endure more scenes of bloody, gory pain? Maybe.

Yes there are scenes of gory turn-your-face-away-from-the-screen intensity that will satisfy anyone who loves a serous quota of the stuff in their horror experience. What sets 2 Careful owners apart from others of the same ilk is the same quality of acting, pacing and editing of the story that took place in part one. 

The acting in particular is surprisingly good (not something that could be said for all Indie shorts). Messrs Knock, Ashenden and Neil Martin are especially notable.

It would have been too easy for Mike to have tried to pack as much shock value and inventive yet complicated scenes of violence into his 15 minutes at the expense of simply keeping it normal, something that all too many similar genre films also like to ignore.  

It is good to see that he resisted the trap. Because the skill of this production essentially is to place the characters in situations that we can all identify with, and in places that most of us will have been in at some points in our life. You could say that the situations are distinctly run-of-the-mill. The effect is to make the viewer feel as if we are actually included in the scene, albeit as an unwilling observer hiding and skulking in a darkened corner of the garage and knowing if we make a sound we be the next in line for the hammer.....

Has 2 Careful owners changed my mind about torture horror? Well time will tell, especially if there are further stories of this quality of production. I will freely admit that I thoroughly enjoyed this.

Oh and btw, watch and listen out for the rather fine closing credits when you get to see the movie, there is a distinct retro and groovy themed section of music. Nice.

You can access the company's Facebook page at

Mike's Twitter account thingy can be tweeted at @MikeTackFilms

The link to the marvellous horror website UKHS, where this piece appears can be located RIGHT HERE


Part one of this piece of blogging wonder appeared in UKHS a couple of days ago, for which Mike Tack then made two very grave mistakes. Firstly he made it quite clear that he liked my article that appeared on Andy's most excellent of horror websites, thereby inflating my already extensive ego. Secondly, Mike not only followed me back on Twitter but also sent me a personal friend request on Facebook - big mistake. Obviously I'll leave it up to time and experience for him to realise what a fundamental error of judgement it will inevitably turn out to be. Poor guy.

Anyhoo, Mike was kind enough (some may call it stalking) to send me a message on FB saying thanks again for the review and had noticed in my profile (some may call it self indulgent waffle) that I was practically raised on Hammer films. This will come as no surprise to my reader who will know from previous ramblings (ad nausea) that the eponymous horror production company had indeed provided me not only with my formative horror experiences, but other formative experiences too from the likes of Ingrid Pitt, Maddie Smith et al. However, maybe the less said about the latter formative experiences the better.

It turns out that Mike also has soft spot for Hammer & monster movies and so sent me a link to a very short film that he recently made, thinking that I may well like it. The movie in question is called Makeover and it certainly does deal with the theme of a Monsters, or to be more specific, the very real monsters that might (well according to Mike's obviously twisted mind) literally lie beneath the surface of some of us. He was quite correct, I did indeed like it.

The film has a running time of 3mins 15 secs so you'll forgive me for not going into any deep nuance of plot. Suffice to say, the production quality, camerawork and editing which made 2 Careful Owners stand out is more than on show here too - a fact that belies the simply unbelievable cost to make the film of just £425. Makeover was made as Mike's entry to the abc's of death 2 competition in 2013 which featured 26 alphabet-inspired methods in which to depart this mortal coil, from a whole heap of horror filmmakers. Yes well done, Einstein - M was for Makeover.

It is a very enjoyable and clever 3 minutes or so with an interesting and well put together premise in regard to what really lies beneath the facade some (or indeed all) of the people who profess to know better in order to run our lives - no I'm not talking about celebrity cook's (though those bastards are certainly not to be trusted), I'm talking about politicians. You may watch Makeover and never look at David Cameron et all quite in the same way again, or it simply may confirm suspicions that many of us have often had about anyone who wishes to spend their existence in seats of power, telling others what to do.

The film is also going to be included in a compilation called World of Death coming this year . 'Hmmm, what is this World of Death that you speak of, Stuey?" Well, I will actually be putting together a piece on the project in the very near future. However, for now I won't say too much as release dates and even teaser trailers haven't yet been released by director and co-founder of World of Death. The plan as I understand is to bring together the talent of over 200 filmmakers from 25 different countries in a compilation of short horror films that will terrorise, astonish, disturb, and excite genre fans across the globe.The idea of bringing a whole collection of Independent talent together is frankly mouth watering. Watch this space for more information.

I'll leave it up to you to decide for yourself about the excellent Makeover, as the YouTube link for is below for you to enjoy - don't worry, it's not a super duper secret link - so you're probably safe.......for now.

Makeover (C) Mike Tack films

Saturday, 19 July 2014

Iron Cloud (2014) - The SciFi goodies have landed!

Earlier this month it was my pleasure to view an early preview, via an online screener, of a brand new Polish SciFi short movie by Nikodem Wojciechowski.  As I mentioned in the article of 6the July 2014 - which if you can't be bothered with the hassle of searching through the blog, the piece can be found HERE  - Iron Cloud is 42 minutes of intelligent and exciting science fiction. There are philosophical themes, visual feasts for the eyes and adrenaline fuelled scenes a plenty to make one wish that the film was far longer. Anyway, read the article if you haven't done so already.

Anyhoo, I was happy to find out that Niko isn't perfect, in fact his whole level of judgement was called into question when he decided that he very much liked my review - the doctors are on their way, Niko mate.....hold on. In fact he liked the review so much that he was kind enough to send me today a whole package of Iron Cloud goodies - pictures of which can be seen below.

The Package is received....

When the trust postman dropped the package through my letterbox I was more than a tad excited, then I noticed the return address on the reverse was a Polish one - and I was VERY excited!

The address of yours truly is blocked out in an effort to avoid the inevitable stalking that will come from fans of this blog. I'm a blogger, not a piece of meat, people!

Original artwork from Iron Cloud

The first thing that I took from the package was this A4 sized piece of stunning original artwork form one of the Icon Scenes of the movie as the two brothers first set eyes on the city that they believe will be their salvation. The picture here doesn't do it justice (possible due to the terrible photography from a fool who should stick to blogging methinks). It is beautiful. But what is the writing in the bottom right hand corner?.....

A lovely handwritten message of thanks from Niko.

Aww Shucks.

The complete collection of goodies

In addition to the A4 print is a booklet of movie stills, cast photographs., original artwork , background notes and a whole heap of information about the film's history and production. There are also two DVD'S which I'm itching to see - tonight I shall be mostly watching Iron Cloud on my DVD player.

A page of notes and early drawings - enough to please the geek & anorak in me

Iron Cloud DVD heaven.

The goodie collection - now with the framed poster 

The signed poster is now framed and proudly mounted on my wall, just below my Star Wars movie stills poster. I know, I'm such a geek.

I would likely to sincerely thank Niko for sending me the package of goodies, particularly as I know that he's been very busy as many many packages similar to this have been sent in the past few days. They've been sent to the generous and kind-hearted souls who contributed time and money to help him get the movie off the ground and produced.

Of course, if any other potential reviewer's think that they stand a far better chance of getting a feature in my blog and website if they provide me with goodie incentives - well it may not necessarily guarantee a good review.......but it will certainly guarantee some attention and promotion! ;-)

The Facebook page link for Iron Cloud can be found at

Iron Cloud's IMDB page can be found at

Thursday, 17 July 2014


I don't usually cut and paste whole announcements onto this blog - I see it done a lot on a variety of blogs and websites which to be honest seems to me to be both lazy and unimaginative. 

However, on this occasion I will break my rule and print here the press release that I received today from the BFI. Quite simply, I wanted to to the announcement the justice that it deserved. 

So here it is, albeit with a few photos's included of my own choice here and there, the full, exciting details.....

The BFI Today Unveiled Sci-Fi: Days Of Fear And Wonder, A Three Month Celebration Of Film And Television’s Original Blockbuster Genre.  

Sci-Fi: Days Of Fear And Wonder Will Include Over 1000 Screenings Of Classic Films And Television Programmes At Over 200 Locations Across The UK, From Outdoor Events At Iconic British Sites To Screenings In Multiplexes, Local Cinemas And Community Venues, In One Of The Largest And Most Ambitious Sci-Fi Seasons Ever Created.

2001: A Space Odyssey
Sci-Fi: Days Of Fear And Wonder Will Be The BFI’s Biggest Season To Date. It Includes A Three-Month Programme At BFI Southbank, From 20 October Until 31 December 2014, And Very Special Events, Guests And Screenings Right Across The Uk. Classic Sci-Fi Titles Will Be Released Into Uk Cinemas And On Dvd And Blu-Ray. There Will Be An Extensive Education Programme, 50+ Films Available Online Through BFI Player, A BFI Sci-Fi Compendium, Nine New BFI Film Classics Published With Palgrave Macmillan, Exciting New Partnerships, Special Guests And Commentators, All Of Which Will Celebrate Cinema’s Most Spectacular And Visionary Genre, Exploring How The Fear And Wonder At Its Heart Continues To Inspire And Enthral.

Heather Stewart, Creative Director, BFI Said:

 "Sci-Fi Has Come To Define The Cinematic Experience For Audiences Everywhere. We Will Celebrate The Originality, The Craftsmanship And The Vision Behind Some Of The Most Important Film And Television Ever Made. Its Calling Card Is Visual Spectacle, But At Its Heart Sci-Fi Is The Genre For Big Ideas, Revealing Our Hopes And Fears For Tomorrow's World. We Have Only Glimpsed Its Full Potential."

Highlights Include:

·         Nationwide Reach: With Over 1000 Screenings At Over 200 Venues, Sci-Fi: Days Of Fear And Wonder Can Be Enjoyed Across The Uk. There Will Be More Than 576 Sci-Fi Screenings And Events Offered Through The BFI Film Audience Network (BFI Fan), Screening At Least 419 Titles At 124Locations Nationwide, Plus 134 Titles Shown Across 260 Screening Slots At Bfi Southbank.

·         Flagship Events: Spectacular Sci-Fi Screenings Will Take Place At Some Of The Uk’s Most Iconic Locations, Including The BFI Sci-Fi Weekend At The British Museum, Bletchley Park, The Eden Project, Jodrell Bank Observatory, And The Square In HG Wells’ Home Town Ofmidhurst, West Sussex.

Blade Runner
Bfi Distribution: Re-Released By The Bfi, Ridley Scott’s Director’s Cutof Dystopian Masterpiece Blade Runner Will Be Back On The Big Screen In Cinemas Across The Uk In Early 2015. 

The Bfi Will Celebrate Its Previously Announced Nationwide Re-Release Of Stanley Kubrick’svisionary 2001: A Space Odyssey (28 November) With A Host Of Special Guests, Including The Film’s Stars Gary Lockwood And Keir Dullea.

·         Exclusive BFI Dvd And Blu-Ray Releases Will Include The Long-Awaited 7-Disc Dvd Box Set Of BBC Tv Series Out Of The Unknown (1965–1971), And The Dvd Premiere Of Nigel Kneale’s 1954 Adaptation Of George Orwell’s Classic Nineteen Eighty-Four, Starring The Great Peter Cushing.

·         BFI National Archive: The BFI National Archive Will Present Four Meticulously Restored Classic Sci-Fi Titles At BFI Southbank And On Bfi Player During The Season, With Shimmering New Prints Of The First Ever British Sci-Fi Feature Film, A Message From Mars (1913), As Well As The Classic The Day The Earth Caught Fire (1961) And Short Film The Pirates Of 1920 (1911).

There Will Be An Exhibition Of Sci-Fi Treasures From The Archive Throughout The Season, Including The Original Costume Designs, Photographs, Posters And Publicity Material For Films Includingmetropolis (1927), Things To Come (1936), 2001: A Space Odyssey (1968), Blade Runner (1982) And Brazil (1985) – And The Original Continuity Script From Star Wars: Episode Iv - A New Hope (1977).

·         Collaboration With The BBC: The BFI Is Working Closely With The BBC To Open New Opportunities For Television, Radio And Cinema Audiences To Explore Science Fiction Throughout The Season. Historian Dominic Sandbrook Will Explore Science Fiction In Its Many Forms In A New,Landmark Four-Part Series: Tomorrow’s Worlds. Airing On BBC Two To Coincide With The Season, A Specially Edited Feature Version Will Preview At Bfi Southbank.

BFI Southbank Will Host The London Premiere Of The First Episode Of The Eighth Series Of BBC One’s Highly Anticipated Doctor Who, With The 12Th Doctor Peter Capaldi In Attendance, On 7 August, Following Its World Premiere In Cardiff Earlier That Day, With Both Events Presented As Part Of Sci-Fi: Days Of Fear And Wonder.

·         Previews, Premieres And Events: The Season Also Includes An Exclusive Preview Of The Highly Anticipated The Hunger Games: Mockingjay At BFI Southbank And The World Premiere Of Filmed In Supermarionation, The Definitive Documentary About The Iconic And World-Leading Puppetry And Animation Techniques Devised By Gerry And Sylvia Anderson And Their Team Of Puppeteers In A Slough Warehouse In The 1960S. Dj Yoda Goes To The Sci-Fi Movies In A Very Special Sonic Cinema Event, And Sonic Cinema Will Spend A Weekend Delving Inside Afrofuturism, Embarking On A Cinematic Trip Into The Vast, Genre-Bending Universe Of Black Science Fiction, Technoculture And Magic Realism.

·         BFI Books: The Season Will See The Publication Of The Definitive Bfi Sci-Fi Compendium, With Contributions From World Authorities On Sci-Fi, Authors Including: Lauren Beukes, Directors Such As Gareth Edwardsand Edgar Wright, Plus Sci-Fi Visionary Douglas Trumbull. It Will Also Be Marked By The Publication Of A Set Of New Special Edition BFI Film Classics, Published By Palgrave Macmillan, Exploring Nine Key Sci-Fi Films And Written By High-Profile Film Critics And Academics, Includingmark Kermode, Roger Luckhurst And Kim Newman.

·         Your Sci-Fi: The BFI Is Launching Sci-Fi Polls Aimed At Audiences Of All Ages. First Is A Quest To Find Favourite Science Fiction Film And Television Characters For The Greatest Sci-Fi Characters Of All Timepoll, Be They Man Or Machine, Hero, Heroine Or Villain (Voting Now Open Here: Http://Www.Bfi.Org.Uk/Sci-Fi/Poll), And With Into Film There Will Bea Uk-Wide Poll Of Science Teachers By Young People Asking Them To Name Which Sci-Fi Film Inspired Them.

Bfi Sci-Fi: Days Of Fear And Wonder Will Include:

Bfi Southbank:

The Major BFI Southbank Programme, Will Launch On 20 October And Run until 31 December 2014. Sci-Fi Is Presented Across Three Themes That Identify The Unique Characteristics And Concerns Of This Remarkably Diverse Genre:Tomorrow’s World, Altered States And Contact!

Tomorrow’s World Hurls Us Into The Future Where Technology Has Changed Everything. How Do We Distinguish The Speculative Fiction Of Our Nearest Futures And The Science Fiction Of Our Fantasies? Visions Of The Future And Futures Passed Will Include Fritz Lang’s Seminal Metropolis(1927), William Cameron Menzies’ Things To Come (1936), Joseph Losey’s The Damned (1961), Jean-Luc Godard‘S New Wave Offering Alphaville (1965),Franklin J. Schaffner’s  The Planet Of The Apes (1968), George Miller’smad Max Ii: Road Warrior (1981), Terry Gilliam’s Surreal Masterpiece Brazil(1985) And The Dystopian Vision From Margaret Atwood’s Novel In Volker Schlöndorff’s The Handmaid’s Tale (1990).

Altered States Takes Us Inside The Science Fiction Of The Mind And Body On Adventures In ‘Inner-Space’. Mad Scientists, Mutants, Man-Machines And Mind-Bending Trips Will Be Taken With Films That Get Under The Skin Of What It Is To Be Human And Into The Minds Of Our Monsters Including Robert Stevenson’sthe Man Who Changed His Mind (1936), John Frankenheimer’s Seconds(1966), Starring Rock Hudson, David Cronenberg’s The Brood (1979), James Cameron’s The Terminator (1984), Shinya Tsukamoto’s Tetsuo: The Iron Man(1989) And Michel Gondry’s Emotive Eternal Sunshine Of The Spotless Mind(2004).

Contact! Is Made, And Things Are Never Quite The Same Again. Science Fiction And Humankind’s Drive To Explore And Exploit New Frontiers Can Lead To Trouble – And Things Tend Not To Be Any Better When We Take Visitors From Distant Worlds. Films Which Question Whether We Are Alone In The Cosmos, And Whether The Cosmos Would Be Better Off Without Us, Will Includewallett Waller’s A Message From Mars (1913), Byron Haskin’s War Of The Worlds (1953), Fred Wilcox’s Forbidden Planet (1956), Roy Ward Baker’squatermass And The Pit (1967), Douglas Trumbull’s Silent Running (1972),Steven Spielberg’s Chilling Close Encounters Of The Third Kind (1977); There Will Be An Extended Run Of Don Siegel’s Invasion Of The Body Snatchers (1956) And Screenings Of Philip Kaufman’s 1978 Remake Starringdonald Sutherland, Ridley Scott’s Alien (1979), Robert Zemeckis’ Contact(1997) And Gareth Edwards’ Monsters (2010).

Inside Afrofuturism Takes A Cinematic Trip Into The Vast, Genre-Bending Universe Of Black Science Fiction, Techno Culture And Magic Realism. Special Events Include A Sonic Cinema Weekend Marking The Centenary Of The Birth Of The Cosmic Ambassador Sun-Ra, Alongside Screenings Of John Coney’sspace Is The Place (1974), And Shirley Clarke’s Ornette Coleman: Made In America (1985). Further Highlights Include John Akomfrah’s Essential Afrofuturism Primer The Last Angel Of History (1996), John Sayles’ Cult Slave-Narrative Update The Brother From Another Planet, Lizzie Borden’sdystopian Punk Diorama Born In Flames (1983), Haile Gerima’s Time-Shifting Allegory Sankofa (1993), And Terence Nance’s Dazzlingly Creative Debut An Oversimplification Of Her Beauty (2013); Curated By Ashley Clark.

BFI Southbank’s Regular Film/Music Event Sonic Cinema Will Be Presenting A Series Of Special Sci-Fi Themed Live Experiences.  Master Of The Movie-Mash Up,Dj Yoda, Has Been Commissioned To Create A New Show. ‘Dj Yoda Goes To The Sci-Fi Movies’ Which Will World Premiere In November.  Another World Premiere Will Be The Eagerly Anticipated New Album From Uk Composer John Foxx, Entitled ‘Evidence Of Time Travel’ Which Will Be Performed Live With Specially Made Visuals By Kabourn.  We Are Teaming Up With Montreal-Based Digital Arts Festivals Mutek And Elektra To Present A Very Special Series Of Live Audio-Visual Performances Including New Work From Roly Porter Andkeudo, And The Bbc Radiophonic Workshop Will Perform A Specially Arranged Sci-Fi Set To Celebrate Their Great Contribution To Tv Sci-Fi, Playing To Clips Of Some Rare Archive Classics And Current Favourites And All In 5.1 Surround Sound In December. 

Filmed In Supermarionation (2014) Will Premiere On 30Th September As A Curtain Raiser For The Season. Stephen La Rivière’s Tribute To The Pioneering Work Of Gerry And Sylvia Anderson, Creators Of Some Of The Uk’s Most Successful And Iconic Sci-Fi Film And Television, Will Include A Panel Event With The Director And Key Contributors. The Time-Defying Primer (2004) Will Be Followed By A Q&A With Director Shane Carruth. And Some Of The Greatest Ever Sci-Fi Tv Programmes Will Be In The Spotlight, Including Out Of The Unknown, The Quatermass Experiment & Doomwatch, And We Will Celebrate The Cult Hit Blake’s Seven At A Very Special Event. 

The BFI Sci-Fi Weekend At The British Museum:

A Trilogy Of Science Fiction Classics Will Screen In The Magnificent Forecourt Of The British Museum Over Three Successive Nights To Audiences Of Up To 1200 Each Evening, From Thursday 28 To Saturday 30 August. On Thursday 28 August The BFI National Archive Will Present The London-Set Classic, The Day The Earth Caught Fire, Directed By Val Guest, In A World Premiere Of The New Restoration. Friday Will See Us Attempt Inter-Galactic Contact With The Man Who Fell To Earth, Starring David Bowie As An Alien Stranded On Earth On A Mission To Find Water For His Own World. The Weekend Will Conclude With A Cult Classic As We Venture To Planet Mongoon Saturday 30 August With Flash Gordon, Saviour Of The Universe, In A New Digital Transfer.

Sci-Fi Across The Uk:

Screenings Offered Through The BFI Film Audience Network:

There Will Be At Least 576 BFI Fan Sci-Fi Screenings And Events, Showing 419Titles Across 124 Locations, All Curated By Cinema Experts With Unsurpassed Knowledge Of Their Local Audiences. Highlights From Across The Network Are Outlined Below, With Further Announcements About BFI Fan Sci-Fi Activity To Come.

The BFI Film Audience Network (BFI Fan) Spans The Length And Breadth Of The Uk And Connects Cinemas, Film Archives, Education Organisations, Community Groups And Others To Bring A Wide Range Of Films To Audiences And Help Build Interest In Independent And Specialised Film. BFI Fan Members Have Boldly Taken The Sci-Fi Brief And Created Mind-Blowing Programmes Of Screenings, Guests And Events To Bring Classics Of The Genre To Uk Audiences In New And Exciting Ways.

A Map Of Confirmed Events, Details About Ticket Bookings And An Online Search For Your Closest Bfi Sci-Fi Event Will Be Available Here:Www.Bfi.Org.Uk/Sci-Fi 

Derbyshire And The North West:

Presented By Film Hub North West Central, Led By Cornerhouse Manchester:

Watch The Skies! Curated By Abandon Normal Devices At Jodrell Bank, Cheshire
The First Ever Outdoor Cinematic Events At One Of The World’s Largest Radio Telescopes, Jodrell Bank Observatory, Which Plays An Important Role Globally In Astronomical Observations Including Research Into ‘Pulsars’, ‘Cosmology’ And The ‘Search For Extra Terrestrial Intelligence’ (Seti).

Watch The Skies! Is Curated By Abandon Normal Devices And Produced In Partnership With Jodrell Bank And Live From Jodrell Bank Transmissions And Funded Through The BFI Programme Development Fund.

Cornerhouse All-Nighter  

Cornerhouse Will Present An Ambitious All-Night Screening Programme To Transport Audiences Into The Weird And Wonderful World Of Science Fiction.  The Programme Of Six Films Features A Range Of Sci-Fi Titles, Including Well-Loved And Well-Known Classics And Lesser-Seen Titles. Guest Speakers And Presenters Will Punctuate The Event With Contextualising Film Introductions. 

East Midlands And East Of England:

Presented By Film Hub Central East, Led By Broadway, Nottingham And Cambridge Film Trust:

The Day The Earth Caught Fire
Station X At Bletchley Park, Milton Keynes

A Series Of Immersive Screenings And Themed Workshops Over Three Days (September 19-21) Will Explore Science Fiction War Narratives, Totalitarian Dystopias And Fear Of The Power Of Science In The Deeply Historical Setting Of Britain’s Wartime Code-Breaking Huts. With Screenings Including The World Premiere Of A New Digital Print Of X The Unknown, As Well As The Day The Earth Caught Fire, Things To Come, Brazil And Dr. Strangelove, Bletchley’s Famous Grounds Will Feature An Alien Crash Site, A Rocket Ship Launch Pad And A Soundscape.

Mayhem Film Festival, Nottingham 

Will Present A Three-Day Season Of Film Screenings, Events And Discussion Forums On The Theme Of ‘The Created Woman’, A Popular And Enduring Idea Within Science Fiction. Themes To Be Explored Include: Creating The ‘Perfect’ Woman, Creation Gone Wrong/ The 'Monstrous' Woman, Wives And Daughters And Conjuring The Woman. Screenings Will Include Metropolis, Frankenstein Created Woman, The Stepford Wives And Solaris.


Presented By Film Hub London, Led By Film London:

Ada & After: Women Do Science (Fiction), Presented By Club Des Femmes In Association With The Ica And Hackney Picturehouse Will Showcase The Contribution Of Women To Science And Science Fiction. The Specially Curated Film Programme Of Features, Documentaries And Short Films Will Includeconceiving Ada Starring Tilda Swinton By Lynn Hershmann-Leeson, An Extended Discussion With Writer/Director Maja Borg (We The Others, Future My Love) And Q&A With Director Berit Madsen (Sepideh: Reaching For The Stars), Accompanied By An Interactive Workshop On Writing Feminist Science Fiction For The Screen With Writer/Director Campbell X And Novelist Nalo Hopkinson (Brown Girl In The Ring) Via A Skype Q&A.

Day Of The Dead Futuro Weekend Presented By Dsk-Pr And Movimientos Will Celebrate Mexican Culture And The Dia De Los Muertos Tradition, Linking These To The Themes Of Sci-Fi: Days Of Fear And Wonder. Taking Place Across Key Venues In South East London In Early November, The Weekend Will Include Screenings Of Classic Mexican Sci-Fi Films From The 1950S And 60S, With Events Incorporating Art And Craft Workshops For Children, And Music And Performance At A Secret Brixton Location.

Northern Ireland:

Presented By Film Hub Northern Ireland, Led By Queen’s Film Theatre, Belfast:

Created By Ni’s Premier Lgbtq Arts Organisation, Outburst Arts, Space Camp Is A Performance And Film Exhibition That Will Explore The Connections Between Sci-Fi And ‘The Other’ Through A One-Off ‘Spectacular’ Event.

We Are The Robots At Queen's Film Theatre Marks The Upcoming Release Of Jon Wright’s New Film Robot Overlords, Which Was Funded Through The BFI Film Fund And Shot In NI. This Season Of Films Will Follow The Technological Evolution Of The Man-Machine From The Earliest Days Of Cinema.  


Presented By Film Hub Scotland, Led By Centre For The Moving Image, Edinburgh; Dundee Contemporary Arts; Eden Court Theatre & Cinema, Inverness; Glasgow Film Theatre; And Regional Screen Scotland:

Glasgow Film Has Teamed Up With Africa In Motion And Film Hub Swwm To Shine A Light On The Emergent Cultural Aesthetic Of African Science Fiction And Afrofuturism In The Season Africa At The Door Of The Cosmos. The Programme, Which Will Screen At Gft And Three Further Venues Across Scotland, Features Cinematic Essays By Award-Winning Artist Filmmaker John Akomfrah, A Series Of African Sci-Fi Shorts, And Afrofuturist Films Curated By Jerry Dammers Of The Spatial Aka Orchestra (And Founding Member Ofthe Specials). Jerry Will Also Play A Concert Of ‘Inter-Planetary Afro-Jazz’ With The Spatial Aka Orchestra At The Arches Music Venue In Glasgow. 

South East:

Presented By Film Hub South East, Led By Screen Archive South East, Picturehouse In Brighton, Cinecity, And Lighthouse:

Village Of The Damned
An HG Wells & John Wyndham Programme Will See A Weekend Of Screenings In Midhurst – Home To Both These Key Sci-Fi Authors – Including The Classic Village Of The Damned (1960) Adapted From Wyndham’s Midwich Cuckoos.

A Sci-Fi Programme Curated By Award-Winning Artist Film And Video Maker Ben Rivers Will Launch In October At Folkestone Triennial 2014 Before Touring To Selected Venues Across The Uk. Titles Will Include Alain Resnais’je T’aime, Je T’aime.

X: The Man With The X-Ray Eyes (1963) Uk Premiere On Sunday 23 November At The Duke Of York's Picturehouse, When The Legendary American Avant-Garage Rock Band Pere Ubu Present A Live Underscore To Roger Corman’s 60S Sci-Fi Classic.

South West And West Midlands:

Presented By Film Hub South West & West Midlands, Led By Watershed, Bristol:

Sci-Fi At The Eden Project: Sci-Fi Visionary Douglas Trumbull Worked As Special Effects Advisor On Films Including 2001: A Space Odyssey But Only Directed One Film, 1972’S Environmentally-Themed Silent Running (1972). The Film Will Screen In The Magnificent Mediterranean Biome At The Eden Project, Presented By Mark Kermode.

Afrofuturism Focus At Watershed: This Cross-Cutting Season Of Film, Art, Fashion, Comic Books And Music Curated By Dr Edson Burton, As Part Of Black History Month, Offers A Range Of Perspectives On Afrofuturism; From Big Screen Experiences Of Films Such As District 9, Space Is The Place And Pumzi To Discussions With Guests Including Award-Winning Creative Jon Daniel (Afro Supa Hero.) Expect Opportunities To Come On Board The Mothership; Whether That's Taking Part In A Kids Afro-Supa Heroanimation Workshop Or Getting Your Groove On At An Otherworldly P Funk Party. 

Audiences From Penzance To Birmingham Will Get Opportunities To Experience Sci-Fi, From Chris Marker Under The Stars At Bristol's Planetarium, Terminator 2 Like You've Never Heard It Before With A Beefed Up Live Soundtrack From Bronnt Industries Kapital To Invasion Of The Body Snatchers Under The (Real) Birmingham Stars At Mac's Sundown Cinema: Out Of This World.


Presented By Film Hub Wales, Led By Chapter, Cardiff:

Following On From A Very Successful Collaboration In 2013, Film Hub Wales,Chapter And Cadw (A Welsh Government Organisation Working To Protect The Historic Environment And Heritage Sites Of Wales, And To Promote Welsh History And Culture), Will Bring Sci-Fi Films Such As Et, Close Encounters Of The Third Kind And The Thing To Historic Welsh Sites Such As Castell Coch, Caerphilly Castle And Raglan Castle.

Collaboratively Created By Members Across The Network, A Distinctive Regional Sci-Fi Programme Will Also Hit Cinema Screens Wales-Wide This Autumn. Watch As Gwyn Hall Transforms Into 'Planet Neath' With Clash Of The Re-Makes And As Ian Mcculloch And Luigi Cozzi Beam Down For Alien Contamination At Abertoir International Horror Festival!

Yorkshire And The North East:

Presented By Film Hub North (Led By Showroom/Workstation In Sheffield), In Partnership With Sensoria Festival Of Film And Music:

Showroom Workstation

Film Hub North, In Partnership With Sensoria Festival Of Film And Music Will Present An Outdoor Screening Of The Bafta Award-Winning BBC Dramathreads (1984), Against The Back-Drop Of Sheffield’s Skyline At South Street Park Amphitheatre. Originally Shot In Sheffield And Adapted From Local Author Barry Hines, Threads Projects A Chilling View Of What Life Would Be Like After Nuclear War.

BBC/BFI Collaboration:

The BFI Is Working With The BBC To Present An Exciting Season That Will Give Television, Radio And Cinema Audiences The Opportunity To Explore Science Fiction In Depth.

Tomorrow’s Worlds, A Landmark Four-Part Series In Which Historian Dominic Sandbrook Explores Science Fiction In Its Many Forms, Will Be Transmitted On BBC Two In The Autumn To Coincide With The Season. A Specially Edited Feature Version Based On All Four Episodes Will Preview At Bfi Southbank Followed By A Panel Discussion With Dominic Sandbrook And Producer John Das.

You Know Who.....
BFI Southbank Will Host A Number Of Previews Of Upcoming Bbc Programmes, Including The August 7 Premiere Of The First Episode Of The Highly Anticipated Eighth Series Of Bbc One's Doctor Who, Entitled “Deep Breath”.Written By Steven Moffat, Produced By Nikki Wilson, And Directed By Ben Wheatley, This Feature-Length Episode Will See Peter Capaldi Launched As The 12Th Doctor, One Of Tv’s Most Iconic Roles, Alongside Jenna Coleman As His Companion Clara. Cast And Crew Will Be Joining Us For This Very Special Event. Tickets To This Event Will Be Balloted (Deadline 20:30 On Sunday 20 July) To Ensure The Fairest Allocation Of Tickets Possible. All Applicants Will Be Informed If They’ve Been Successful By Thursday 24 July (Full Details At Bfi.Org.Uk/Southbank). The BFI Will Also Preview Season Three Of Cbbc’swizards Vs Aliens As Part Of The BFI Sci-Fi Family Programme.  

A Number Of Classic BBC Science Fiction Series Will Be Celebrated At BFI Southbank Events, Including The Quatermass Experiment Anddoomwatch, And The Cult Bbc Tv Series Blake’s Seven At Which We Hope To Reunite Some Cast And Crew. More Classic BBC Titles Will Be Available For The First Time As Bfi Dvd And Blu-Ray Releases, Including The Long-Awaited 7-Disc Dvd Box Set Of BBC Tv Series Out Of The Unknown (1965–1971), And The Dvd Premiere Of Nigel Kneale’s 1954 Adaptation Of George Orwell’s Classicnineteen Eighty-Four, Starring The Great Peter Cushing. A Range Of BBC Presenters And Personalities Are Participating In The BFI’s Season, Includingprofessor Brian Cox, BBC Radio 4 Presenter, Adam Rutherford And BBC Radio 3 Presenter, Matthew Sweet.

BFI Distribution:

The BFI Will Re-Release Ridley Scott’s Director’s Cut Of His Dystopian Masterpiece Blade Runner (1982) To Cinemas Across The Uk In Early 2015. Based On Science Fiction Author Extraordinaire Philip K. Dick’s Novel Do Androids Dream Of Electric Sheep?, The Film Boasts One Of The Most Astonishingly Designed Futures Ever Seen On Screen And Examines What It Means To Be Human, Rather Than A Machine. When – On The Occasion Of The BFI’s 75Th Anniversary – Cinema Luminaries And Film Fans Were Invited To Nominate The Film They Felt Should Be Shown To Future Generations, Ridley Scott’s Blade Runner Took First Place.

The BFI Is Also Re-Releasing Stanley Kubrick’s Spectacular, Transcendent And Epic 2001: A Space Odyssey (1968), Which Will Be Seen On Big Screens Across The Uk From 28 November. 2001 Has Been The Touchstone For All Science Fiction Film Since Its Original Release. With A Screenplay Co-Written By Kubrick And Arthur C. Clarke And Developed Concurrently Alongside Clarke’s Novel Of The Same Name, 2001: A Space Odyssey Is Widely Regarded As One Of The Greatest Films Ever Made. Critic Roger Ebert Described Kubrick’s Masterpiece As ‘A Stand-Alone Monument, A Great Visionary Leap, Unsurpassed In Its Vision Of Man And The Universe’.

BFI Digital

The BFI Is On A Quest To Find The Best Science Fiction Film And Television Characters Of All Time, And We Want The British Public’s Views For Ourgreatest Sci-Fi Characters Of All Time Poll. From Mad Max And E.T To Darth Vader And The Doctor, Ripley And Uhura, Captain Scarlet And Cornelius, Maria From Metropolis, Or The Omnipresent Hal Or Akira. The BFI Is Looking For Votes From The Public To Join Nominations From Experts, Writers, Directors And Famous Fans To Find The Nation’s Favourite Characters, Be They Man Or Machine, Hero, Heroine Or Villain. Cast Your Vote Now Here:Http://Www.Bfi.Org.Uk/Sci-Fi/Poll

A Dedicated BFI Sci-Fi App Will Be Released In The Autumn Free Of Charge For Tablets And Mobile Devices, Delving Into Some Of The Most Powerful And Influential Science Fiction Films Ever Made.

Sci-Fi: Days Of Fear And Wonder Will Be A Major Presence On BFI Player, With Key Titles Available To All, Beginning With Jonathan Glazer’s Under The Skin(2013) Available Now And Continuing With The BFI  Restoration Of Val Guest’s Classic The Day The Earth Caught Fire, Which Will Be Available On Playeron Thursday 28 August To Coincide With Its Screening At The British Museum. Free To View On BFI Player Will Be The Visionary Silent Short The Fugitive Futurist (Gaston Quiribet, 1924) Which Imagines How London Will Look In The Future, Now With A New Score Composed And Performed By Drake Music, Pioneers In The Use Of Assistive Technology For Musicians With Disabilities.Http://Www.Drakemusic.Org An Ambitious BFI Player Collection Of 50 Classic Sci-Fi Titles, To Complement The BFI Southbank Season And Nationwide Screenings, Will Be Available To Rent To Follow In October:Http://Player.Bfi.Org.Uk/

BFI Dvd And Blu-Ray

Close Encounters Of The Archive Kind Come To Dvd And Blu-Ray As Part Of BFI Sci-Fi. These Silver Spinning Saucers Will Contain Some Of The Finest, And Most Wanted, Sci-Fi Titles Ever Broadcast On Terrestrial Tv, As Well As Classics Of British Cinema.

August Sees The First Ever Release Of Two Celebrated Bbc Series: The Changes (1973), The Unsettling 10-Part Series, Based On Peter Dickinson’s Best-Selling Trilogy; And The Boy From Space, Which Will Contain All 10 Of The ‘Look And Read’ Episodes From 1980, As Well As A Newly-Edited, Feature-Length Presentation Of The Filmed Drama Segments In Which A Brother And Sister Discover An Alien Boy Called Peep-Peep. To Celebrate The Release Of This Re-Mastered Blu-Ray There Will Be A Screening Of The Specially Made 70Min Version Of The Series At BFI Southbank Followed By A Panel Discussion With Key Figures In The BBC Radiophonic Workshop Who Provided The Original Soundtrack.

The Glitterball
In September, We Take A Trip To Outer Space, With A Volume Of Cult Sci-Fi Classics From The Children’s Film Foundation, Featuring The Much-Requested The Glitterball (1977), As Well As Supersonic Saucer (1956) And Kadoyng (1972).

October Sees The Long-Awaited Release Of BBC Series Out Of The Unknown (1965 – 1971), One Of Britain’s Most Important Tv Series, And The Very First To Directly Involve The Talents Of High-Calibre Writers (Including John Wyndham, Isaac Asimov, J.G. Ballard And J.B. Priestly). This 7-Dvd Box Set Will Feature Newly Restored Versions Of The 20 Surviving Episodes From All Four Series, As Well As Episode Fragments And Reconstructions, Audio Commentaries, Filmed Interviews And An Extensive Documentary, And There Will Be A Special Screening And Panel Discussion At Bfi Southbank To Mark The Release.

Also In October Is Out Of This World, The Ground-Breaking Abc Series From 1962 Which Paved The Way For Out Of The Unknown. Containing The Only Surviving Episode (The Recently Re-Discovered ‘Little Lost Robot’, By Isaac Asimov), As Well As Reconstructions Of Other Episodes, This Dvd Grants Sci-Fi Fans The Long-Overdue Opportunity To Experience This Historically Important Series For The First Time Since Its Original Broadcast.

As If The Future Didn’t Look Bright Enough Already, October Will Also See The Dvd And Blu-Ray Premiere Of The BFI Archive’s Digitally Re-Mastered Version Of One Of British Cinema’s Most Intense Sci-Fi Offerings – The Day The Earth Caught Fire (1961), Which Will Be Available On Dvd And On Bfi Player Day-And-Date To Coincide With Its August Screening At The British Museum. In November Another Piece Of Tv History Finally Sees The Light Of Day Once Again, When Nigel Kneale’s 1954 Adaptation Of George Orwell’s Classic Nineteen Eighty-Four, Starring The Great Peter Cushing, Gets Its Dvd Premiere.

All Of These BFI Dvd And Blu-Ray Titles Will Be Produced From The Best Available Master Materials, And Will Include Extensive Extra Features And/Or Contextualising Booklets.

BFI National Archive

The BFI National Archive Will Present Four Meticulously Restored Classic Sci-Fi Titles, With Shimmering New Prints Of The First Ever British Sci-Fi Feature Film, A Message From Mars (1913), Plus The Classic The Day The Earth Caught Fire (1961) And Short Film The Pirates Of 1920 (1911),

One Of British Cinema’s Best Science Fiction Films – Though Rarely Seen – Isval Guest’s The Day The Earth Caught Fire. Life In A Busy Newspaper Office Is Turned Upside Down In This Daring – And Surprisingly Racy – Story Of A Journalist’s Investigation Into Escalating Global Freak Weather Conditions And Discovery That Nuclear Testing Around The World Has Knocked The Earth Off Its Axis. The Film Is Being Restored By The Bfi National Archive With The Generous Support Of Simon W Hessel.

A Message From Mars Is The First Feature Length Science Fiction Film Produced In Britain, Also Unseen Since Its Original Release. Based On What Was Possibly The Very First Play Containing A Science Fiction Element – When A Man Is Cured Of His Selfishness By A Visiting Martian – That Was Written Expressly For The Theatre And First Staged In London, In 1899. Creative Imaginations Were Allowed Free Reign For The Film Adaptation With Scenes Set On Mars Both Opening And Closing The Film. The BFI National Archive Is Restoring The Film As Close As Possible To Its Original Length Using Tinted Material Held In The Collections And With A Tinted Nitrate Print Loaned From The Museum Of Modern Art, New York.

In The Short Film The Pirates Of 1920, A Band Of Futuristic Pirates Use An Airship-Type Apparatus To Carry Out Their Misdeeds. Inspired By The Writings Of The French Author, Jules Verne, This Film Is Known To Have Been Reissued In 1915 But It May Not Have Been Publicly Seen Since. 

Special Collections Exhibition:
Fashioning The Future: Sci-Fi And Costume, 25 September 2014 – 4 January 2015

This Display At BFI Southbank Will Look At A Century Of Sci-Fi On Screen And The Influence Of Its Innovative Aesthetic, Through Original Costume Designs, Photographs, Posters And Publicity Material For Films Includingmetropolis (1927), Things To Come (1936), 2001: A Space Odyssey (1968),Blade Runner (1982) And Brazil (1985) And The Original Continuity Script From Star Wars: Episode Iv - A New Hope (1977). From Scientists To Spacesuits, Androids To Aliens, Costume And Make-Up Have Always Played Key Roles In Imagining Tomorrow’s World Or Life Outside Our Solar System. Costumes Can Be A Spectacular Element In Sci-Fi, With Futuristic Fabrics And Designs Being Both Influenced By Contemporary Culture, Fashion And Technology, And In Turn Providing Inspiration To Audiences And The Fashion Industry Itself.

BFI Education:

A Diverse Range Of Screenings, Events And Sci-Fi Related Activities Will Be Tailored To Suit Younger Audiences Of Every School Age And For Adults With An Explorer’s Thirst For Knowledge. The BFI Is Working Closely With Into Film*, The Film Education Charity That Puts Film At The Heart Of The Educational And Personal Development Of Children And Young People Aged 5-19, To Offer A Dynamic Programme Of Sci-Fi Educational Activity Online And Across The Uk. This Programme Includes: A Film Club Promotion Of Specially-Selected Sci-Fi Titles To Screen In 1000S Of Schools; A Uk-Wide Poll Of Science Teachers By Young People Asking Them To Name Which Sci-Fi Film Inspired Them; A Series Of Immersive Cinemas Events For 11-16 Year Olds Based On The Village Of The Damned (1960) And Supported By The Wellcome Trust; And The BFI’s Top Ten List Of Sci-Fi ‘Discovery’ Titles To Be Shown Across The Country At The Into Film Festival In November, Including A Grand Day Out,Attack The Block And Silent Running.

BFI Mediatheques:

An Extensive New Collection Celebrating British Tv’s Contribution To Sci-Fi Will Be Available To View Free In BFI Mediatheques Around The Uk From Late October 2014, Featuring Over 40 Titles Dating Back To The 1950S. Most Are Not Screening In The Bfi Southbank Season And Many Are Not Available On Dvd. A Special Sci-Fi Selection For Younger Audiences Will Be Available From December.

Titles Will Include Peter Watkins’ Legendary Docu-Drama, The War Game(1965); Rarely Seen Tv Play, A.D.A.M. (1973); And An Episode Of Cult Bbc Children’s Game Show, The Adventure Game (1986).

BFI Mediatheques Can Be Found At Nine Venues Around The Uk And Entry Is Free Of Charge. For More Information Go To Www.Bfi.Org.Uk/Mediatheque

BFI Books:

The Brave New Worlds Of Sci-Fi Film And Television Will Be Explored Through The Fourth BFI Compendium Sci-Fi: Days Of Fear And Wonder, A Lavishly Illustrated Survey Of Onscreen Sci-Fi From The Silent Era To The Present, And From Special-Effects Laden, Big-Screen Epics To Low-Budget Cult Favourites. Through A Wide Range Of Accessible, Thought-Provoking Essays, Some Of The World Experts In The Fields Of Science Fiction Cinema And Television Explore The Full Breadth Of This Most Fascinating And Thrilling Genre. In Addition, Some Of The Key Sci-Fi Directors And Writers In The World Today Reveal Their Own Personal Sci-Fi Favourites – Including Gareth Edwards (Monsters, Godzilla) Writing About Star Wars. The Collection Will Be Published In October To Coincide With The BFI Southbank Season.

October 2014 Will Also See The Publication Of A Set Of New Special Edition BFI Film Classics, Published By Palgrave Macmillan, Offering Fascinating Explorations Of Nine Pivotal Sci-Fi Films. Written By High-Profile Film Critics And Academics, Including Mark Kermode (Silent Running), Roger Luckhurst(Alien) And Kim Newman (Quatermass And The Pit), Each Book Features A Beautifully Illustrated Jacket And Film Stills Throughout. The Full Title/Author List: Akira By Colin Odell And Michelle Le Blanc; Brazil By Paul Mcauley; Dr. Strangelove By Peter Kramer; Eternal Sunshine Of The Spotless Mind By Andrew Butler; Solaris By Mark Bould; The War Of The Worlds By Barry Forshaw